The 1973 Ramon Magsaysay Award for Journalism, Literature and Creative Communication Arts

RESPONSE of Michiko Ishimure

The anniversary of the surrender of Bataan makes it impossible for me to express my appreciation without honestly falling headlong into complex feelings of anguish, because as a human being of that country whose soldiers perpetrated that surrender in your land, I am to receive your most noble and humane national prize, the Magsaysay Award.

The setting sun over Manila Bay, the beauty of which is praised throughout the world as exquisite, sets also into my soul as if bathed in human blood. In like manner, the setting sun over Manila Bay reminds me of the beauty of the sun setting over my own Minamata Sea.

This same sunset has twilighted the funeral march of my people on the seaside hills, and yet, while these dead were still among the living, this solar twilight cascaded over the canvas sails of their boats as if over so many flower petals being guided smoothly over the water on their way. And the shimmering sunlight presided over the wind romping across the sea beckoning to the many schools of swimming fish.

In the ancient and primitive religions of my country, the abundant light of the sun brought life to this world, and was worshipped as the goddess of affection and peace. Among other gods were those who misbehaved and brought disaster to people, causing the sun goddess to hide herself because of her overwhelming sadness; this left the people in fearful darkness pleading for the return of their goddess through prayer and self-restraint. This original mythology developed into a most simple but powerful morality for my people. Even today, when scientific civilization has become the object of faith, there is no doubt that the sun still remains the ultimate lord of life.

With this kind of faith already in existence, then, the national modernization of my country brought drastic modifications so that the hearts and minds of my people became alienated. Thus, in the last world war this warped faith was used as a slogan for the invasion of other countries. In spite of this, like people in your own country who have not yet been destroyed by the evils of civilization, so in my Minamata, there are people who cannot live without love for the life of others.

It is these kinds of people who have been attacked by organic and inorganic mercury and other industry-related heavy metal poisons so that, not only has their existence and life lost its physical viability through the accumulation of death-dealing quantities of poison metals, but also the aim of this intrusion has been the sneering and insulting execution of the unique, beautiful and delicate ethics yet remaining in my homeland.

This intruder came dressed in the garb of area industrial development and economic growth and he appeared before humble and simple people using a silky coaxing voice like that of the wolf in "Little Red Riding Hood."

While modern chemical industry was secretly depositing poisons, some of my own people died a sudden and anguishing death, and through 10 and 20 year periods, parents, children and then grandchildren were more slowly murdered. However, these people, caught in an unprecedented disaster, saw through those who sought to destroy them with the penetrating sight of unseeing eyes at death.

Over a long period of time, the people who remained were filled with the will of those who had, in such a manner, died, just as the people in your country had begun in a moment to observe in their hearts the Bataan surrender anniversary.

In the classic writings of my culture there is a saying which goes: "The bird's most beautiful song comes at the moment of death." At the end of one's destiny, life, in and of itself, has a dignity and beauty which, even though denied, is not unappealing.

The final voice of that given destiny, after being murdered by a giant even more inhumane than "The Merchant of Venice," does not stop offering, to those who are left, a deep revelation.

Many of my friends, infinitely more so than myself, have gone through a powerful resurrection of the soul through this death watch, and stand thus together with those who are suffering in order to create many practical and bold action groups. And these persons, expecting no return, humbly and with silent persistence pursue the kind of work that others would not do. My humble literary offerings have been enlightened by these people who act, not with words, but with deeds.

Modern industrial society proceeds in the direction of defacing the most delicate and deep receptivity of the human spirit. For example, when comparing the magnificent and mysterious structures yet remaining in the hinterlands of Southeast Asia, with the buildings in the modern cities of my own country, it can be seen that modern structures are only piles of concrete void of any personality.

My humble desire has been only to bring to life and make sound again this basic and rich receptivity that yet undoubtedly is retained within women and men. Originally, the subject of poetry was the grandeur of nature and I tried to tune my bow string for a world of people whose souls interacted with the grandeur of nature. However, my bow string didn't vibrate, and listening to the wee small voice of my heart, I know now why: the song of those in death was more beautiful than the song sung by the living. Only a small part of this has been put into words.

I have heard that Japanese enterprises have begun their invasion of this country but I pray from the bottom of my heart that your land will never be inflicted with a disaster like that in Minamata.

I ask only that I be allowed to use this Award money for the sake of those still left alive. I offer my deepest thanks.